© Josef Koudelka/Magnum Photos

© Josef Koudelka/Magnum Photos

 
 

Josef Koudelka: The Making of Landscape

This exhibition produced by the WS Society with Magnum Photos reflects on Czech-French photographer Josef Koudelka’s landscape photographs, through large displays of his 20+ meters long concertina photo-books and documents from his personal collection.

Josef Koudelka, Wall, 2016. Installation view. Photo by Fred Ernst.

Josef Koudelka, Wall, 2016. Installation view. Photo by Fred Ernst.

‘Where are the people?’ Henri Cartier-Bresson asked Koudelka when presented with his friend’s first panoramic landscapes photographs in the 1980s. Some 30 years later, landscapes have become the main subject of the multi-awarded photographer’s work, and the people are in fact everywhere in the empty landscapes captured in Poland, France, Wales, Israel or the Mediterranean area. These are man-made landscapes, for economical or political reasons and they tell human stories, belonging to a time long ago or contemporary. It takes all Koudelka’s talent to make us accept that, despite the grim views, this is still our land.

In association with The Times Scotland
Part of the Edinburgh Art Festival 2017

1–27 August 2017
Monday–Sunday
10am–4pm

The Signet Library
Parliament Square
Edinburgh EH1 1RF

Free Admission

Exhibition catalogue available from 1 August.
Exhibition is not wheelchair accessible.


Josek Koudelka
Born 1938, Czech/French
Based in Paris, France

Josef Koudelka, born in Moravia, made his first photographs while a student in the 1950s. About the same time that he started his career as an aeronautical engineer in 1961 he also began photographing Gypsies in Czechoslovakia and theater in Prague. He turned full-time to photography in 1967.

The following year, Koudelka photographed the Soviet invasion of Prague, publishing his photographs under the initials P. P. (Prague Photographer) for fear of reprisal to him and his family. In 1969, he was anonymously awarded the Overseas Press Club’s Robert Capa Gold Medal for those photographs.

Koudelka left Czechoslovakia for political asylum in 1970 and shortly thereafter joined Magnum Photos. In 1975, he brought out his first book Gypsies, and in 1988, Exiles. Since 1986, he has worked with a panoramic camera and issued a compilation of these photographs in his book Chaos in 1999. Koudelka has had more than a dozen books of his work published, including Invasion Prague 68 (2008), and, most recently, La Fabrique d’Exils (2017).

He has won significant awards such as the Prix Nadar (1978), a Grand Prix National de la Photographie (1989), a Grand Prix Cartier-Bresson (1991), and the Hasselblad Foundation International Award in Photography (1992).

Significant exhibitions of his work have been held at the Museum of Modern Art and the International Center of Photography, New York; the Hayward Gallery, London; the Stedelijk Museum of Modern Art, Amsterdam; the Institute of Chicago; the J. Paul Getty Museum, Los Angeles; the Palais de Tokyo, Paris; and the Pompidou Centre in Paris.

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